Sacred Geometry in Egyptian Myths and the Great Pyramid

Hermetic Theory of Creation Series

Part 1: Revealing Secrets of Sumerian Theory of Time
Part 2: Hermetic Theory of Creation: God is an Artist Who Crafted Platonic Solids from the Tapestry of Time
Part 3: Sacred Geometry in Egyptian Myths and the Great Pyramid
Part 4: Messages from the Great Pyramid Builders Conceal Quantum Theory of Space-Time
Part 5: Hermetic Theory of Creation: Understanding Sacred Geometry and the Language of Archetypes

The knowledge of the ancients was woven into myths using a hermetic encoding, a method resilient to language changes, ensuring the core insights remained intact across translations. Such enduring coded messages in remnants of Egyptian myths may hold the keys to understanding the Great Pyramid of Giza. In our analytical journey, we explore Egyptian creation myths, seeking hidden messages that could unravel the ancient structure’s mysteries and link human narratives across eons.

Egyptian Creation Myths

In Hermopolitan theology, the universe began with the primordial waters known as Nu (or Nun), representing an infinite expanse of chaotic abyss. Within these waters resided the Ogdoad, a group of eight primordial deities composed of four pairs. These deities symbolized the fundamental elements and forces of the cosmos in its nascent state.

 Amidst the waters of Nu, the Ogdoad, through their combined energies, gave rise to a cosmic egg or a primal mound from which the god Atum-Ra was birthed. As the emanation of the combined powers of the Ogdoad, Atum-Ra represented the first step towards order and structured creation in the midst of chaos. After this act of creation, the Ogdoad gradually receded into obscurity, their primary role of initializing creation being accomplished.

In the Heliopolitan creation myth, the universe began with the primordial waters Nu (Nun), an infinite expanse of watery chaos. From these waters arose Atum-Ra, often simply referred to as Atum, who represented the all-encompassing essence of the cosmos. Atum-Ra emerged on the benben stone, which symbolized the primordial mound. This stone was later worshiped in the city of Heliopolis and served as the prototype for pyramidions, the capstones of ancient Egyptian pyramids. 

Upon his emergence, Atum-Ra exercised his prodigious creative force to bring forth eight younger gods: Shu and Tefnut, the gods of air and moisture, followed by Geb and Nut, representing earth and the sky, who in turn birthed Osiris, Isis, Seth, and Nephthys, the deities embodying vitality, health, chaos, and protection respectively. Through the collaborative and sometimes conflictual dynamics of these deities, the organized cosmos, as perceived and revered by the ancient Egyptians, emerged into existence.

Sacred Geometry and the Mystique of the Great Pyramid

The Great Pyramid of Giza, renowned for its four striking sides, unveils an intriguing characteristic when observed aerially during the equinoxes: an eight-sided formation resulting from the subtle concavity of its faces. This suggests that the pyramid could hint at an octahedral design, especially if we consider it extending symmetrically into the ground.

octahedron-Amun-Ra

The octahedron, a member of the quintessential five Platonic Solids, is emblematic of the Air element in classical philosophy and epitomizes integration, equilibrium, and reflection within the realm of sacred geometry. Its eight triangular surfaces and six vertices embody the principles of harmony, balance, and duality.

Given these observations, one could postulate a profound association between the god Atum-Ra, the benben stone, the pyramid, and the octahedral shape. 


Sacred Geometry in Egyptian Creation Myths

In the Egyptian creation myths, the narrative commences with the primal essence symbolized by Nu and the Ogdoad deities. In unison, these Ogdoad forces give rise to Atum-Ra, intricately linked with the octahedral form. Emerging from Atum-Ra is a constellation of eight divine beings, each pivotal in shaping the tangible universe.

The progression of creation subtly alludes to underlying patterns in Sacred Geometry. Initially, the stage is set with eight foundational entities. Number eight is associated with a cube as it has eight vertexes. These entities give rise to Atum-Ra, intrinsically connected to the octahedron. As this phase concludes, the original eight recede into the shadows. This story can be depicted as follows:

Transformation from a cube with eight vertices to an encompassing octahedron. 

ogdoad-creates-Atum-Ra


Ultimately, Atum-Ra, geometrically visualized as the octahedron, gives birth to a new structure marked by its eight vertices. This culmination can be deciphered through multiple geometrical perspectives.

A cube enveloping the octahedron.

octahedron-to-cube-Amun-Ra-creates young gods

The stellated octahedron, or stella octangula (often referred to as Merkaba), encompasses the octahedron.

 octahedron-to-merkaba-Amun-Ra-cretes-young-gods

The final structure features 14 vertices, a number deeply rooted in Egyptian mythology. Central to this significance is the tale of Osiris, a preeminent Egyptian myth. Osiris, the deity of the afterlife, was deceived and murdered by his brother, Seth. Subsequently, his body was severed into 14 fragments and dispersed throughout Egypt. However, with the relentless efforts of his wife, Isis, and her sister Nephthys, all pieces except one were retrieved, culminating in the rebirth of Osiris. This probably means that Osiris should be associated with stella octangula also referred to as Merkaba. 

The correlation between Osiris and the 14 vertices of the Merkaba might provide crucial insights into deciphering the myth of Osiris.

Conclusion

The interplay between ancient Egyptian creation myths and sacred geometry is a mesmerizing journey that bridges the spiritual with the mathematical, revealing profound connections that hint at deeper cosmic truths. At the heart of this confluence lies the Great Pyramid of Giza, a monument that seems to encapsulate the essence of the octahedron, a revered Platonic Solid. The recurring motif of the number eight, evident both in the intricate tales of the Ogdoad and Atum-Ra and the pyramid’s subtle eight-sided design, suggests a deliberate mirroring of divine orchestration and earthly representation. The pyramid, with its association to Atum-Ra and the benben stone, may be seen as a manifestation of the octahedron, its dual nature reflecting both the heavens and the earth, just as Atum-Ra bridges the gap between the primordial gods and the physical realm.

In a further layer of symbolic depth, the octahedron and the cube, both with their eight vertices, can be juxtaposed with the Egyptian pantheon, emphasizing the creation sequences, from the initial Ogdoad to Atum-Ra’s introduction of a new set of deities. This parallel not only highlights the Egyptians’ profound understanding of geometry but also positions them as philosophers who saw a reflection of the cosmos in geometric forms. In conclusion, the alignment between Egyptian myths and sacred geometric shapes points to a sophisticated ancient worldview where the universe’s architecture was mirrored in both their stories and their monumental legacies.

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